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Tan Dun and Water Passion after St. Matthew

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DOI:
https://doi.org/10.31686/ijier.vol9.iss5.3064
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Abstract

Tan Dun created ​Water Passion after St. Matthew, written to commemorate the 250th anniversary of the death of J. S. Bach. Not only Tan follows the western tradition to use the texts from the Gospel of Matthew, but he also wrote some texts by himself in this piece, for example, the opening words, “A sound is heard in water, in darkness, the tears are crying for rebirth.” This innovation reflects his respect for tradition and oriental philosophy which is there is no beginning and end of life. 

References

Kilpatrick, Barry. "Tan Dun: "Water Passion After St Matthew"." American Record Guide 66, no. 2 (2003): 173-74.

Hung, Eric. "Tan Dun Through the Lens of Western Media (Part I)." Notes 67, no. 3 (2011): 601-18. DOI: https://doi.org/10.1353/not.2011.0033

Davis, Peter G. "Cold Fusion: Tan Dun's Shtick--using Chinese Musical Gestures in Western Opera--leaves Both Genres Worse for Wear." New York (1968) 40, no. 1 (2007): 76.

Lingle, Breean. "Many Passions Combine to Bring Water Passion After Saint Matthew to the Stage." Mix (Online Exclusive), 2005, Mix (Online Exclusive), 2005-05-04.

Xu, Qian. "Chinese Elements and Influence in Tan Dun's Eight Memories in Watercolor." 2018.

Yayoi Uno Everett, Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun. Reconfiguring Myth and Narrative in Contemporary Opera. Musical Meaning and Interpretation. Bloomington: Indiana University Press, 2015.

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Published
2021-05-01
Issue
Vol. 9 No. 5 (2021): International Journal for Innovation Education and Research
Section
Journal Articles
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How to Cite

Huang, H. (2021). Tan Dun and Water Passion after St. Matthew. International Journal for Innovation Education and Research, 9(5), 18-22. https://doi.org/10.31686/ijier.vol9.iss5.3064